Description
Comprehensive 4x zoom range
A versatile, all-in-one lens. From ultra wide to telephoto, from narrative to documentary, from one-man-band to a film crew, the OOOM is designed for any types of gigs.
© James Tonkin
© Gabriel Gely
© Joe Gunawan
© Silton Buendia
© Bob Gundu
Super35+ coverage
A bigger Super35 design allows it to be used with no vignetting on 4k UHD on Alexa Mini and 8k HD on Red Helium / 5k HD on Red Gemini. The coverage can even be expanded to FF by using our 1.4x expander.
© Joe Gunawan
Parfocal design
The focus remains the same no matter zoom in or out. Your subject will remain sharp and in focus.
Extremely low focus breathing
Unlike rehoused cinema zoom lenses in the market with serious focus breathing, our lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. Your composition will remain the same when changing the focus.
Constant T2.9 with super close focus distance
The large constant T2.9 allows you to shot in low light situation through-out the whole zoom range. The lens can focus as close as 60cm (~2 feet) which give you more opportunities for a creative shot.
© Ascending Works, DP: Weston Walker
The Look
We are trying to deliver a zoom lens which blends in the characters of both modern and vintage optics and therefore we have spent the last 3 years fine-tuning the lens to be THE lens we want. The OOOM is designed to offer a beautiful vintage look in its colour and bokeh. The image is not overly contrasty nor flat but with good sharpness found in modern lens. It also renders a natural healthy skin tone and silky smooth transition.
© Bob Gundu
© James Tonkin
Full Frame Compatible via 1.4x Expander (To be released in 3 months)
A 1.4X FF Expander is carefully designed to match with the OOOM with no degradation on image quality. A quick switch button on the lens allows easy conversion of focal length scale.
© CineD
Rear 1.33X Anamorphic Adapter (To be released in 3 months)
A 1.33X Rear Anamorphic Adapter is also designed to create cinematic 2:35:1 widescreen ratio when paired the OOOM up with cameras with 16:9 sensors.
Shot on OOOM
© Ascending Works, DP: Weston Walker
© Silton Buendia
© Bob Gundu
© Joe Gunawan
SPECIFICATION
| Name | OOOM 25-100 T2.9 Cine |
|---|---|
| Focal Length | 25-100mm (4X Zoom Factor) |
| T-stop range | T2.9 – 22 |
| Aperture blade | 9 |
| Coverage | Super 35+ |
| Optical structure | 20 elements in 16 groups |
| Min. Focus | 60cm / 1.97 feet |
| Max. Magnification | 0.25X |
| Aperture throw | 50.5° |
| Zoom throw | 163° |
| Focus throw | 300° |
| Filter Thread | 95mm |
| Front Diameter | 100mm (114mm step-up ring included) |
| Measurement | Φ 102*240 mm / Φ 4” * 9.45 “ |
| Weight | ~2.5kg / ~5.5 lbs |
| Mounts | Arri PL, Canon EL and Sony FE (Interchangeable) |
| Max. Coverage (RED) | Red Monstro (6K HD) / Gemini (5K HD) / Helium (8K HD) |
| Max. Coverage (Arri) | Alexa Mini (4K UHD) |
What’s included
- Laowa OOOM 25-100 T2.9 Cine in PL Mount
- EF-mount bayonet
- E-mount bayonet
- Shims
- Front and End Caps for every mount
- Lens Cap with 3/8″ thread hole
- Tools for mount conversions
- Hard case with modular foam
*Bundle includes OOOM 25-100mm T2.9 Cine Lens ($7199) + 1.33x Rear Anamorphic Adapter ($1599) + 1.4x Full Frame Expander ($1599).
